“Abashed the Devil stood, and felt how awful goodness is…”
This article was prompted by a pair of short films by a documentary film maker whose work I really enjoy. The films are called Black Magic Kingdoms and can by found on the Enigma Channel of Chris Everard. In these films, Chris pans over the masonry of Narbonne Cathedral and both inside and outside of Cologne Cathedral in Germany. What he says is correct: the stone is carved over with demons from the Goetia of King Solomon. To the modern mind, impacted as it is by skepticism towards the supernatural, atheism, and materialistic science, interpreting these figures as evocations to demons rather than to devotions to Christ is an easy mistake to make. But we have to realize that these magnificent buildings were not designed in modern times by people with a post modern mind set. They are visions from the heart and soul of the Middle Ages, and quite early at that —–the 12th century.
I was born into a French Catholic family. My father’s side was intensely religious having emigrated to Quebec in the 1604 and bringing their 1604 religious practices with them. Going to the cathedral in early childhood where both French and Latin were spoken filled my subconscious with powerful, numinous images and an endless attraction to things Medieval. It also implanted with deep spiritual struggle within. As I grew in the Existentialist 1960s, I was forced to question the basic Christian belief that Jesus Christ IS God.
But people in the Middle Ages in Europe had no such struggle. They believed. Only passionate belief could explain the sacrifices that must have gone into creating these massive and intricate temples, these consciousness transformers that send your spirit soaring. Chris Everard is right that there is no place in the Bible that talks about these demons, though Satan is the constant underlying adversary of the New Testament, lurking between the lines —just as his minions cling to the walls of the cathedrals.
Medieval Christians really believed that Jesus Christ was God.
I am sure there are people who believe this now, but most have a hard time with this these days.
Mystical, esoteric Christianity is a doctrine of Immanence—-the awareness that the Divine infuses everything that exists. Everything is alive and has a soul. If you believe in a Creative Intelligence that dreamed the worlds into life, how could it be otherwise?.
God walked the earth in the form of a man to transform the world, to show human beings that we too are capable of Higher Consciousness, even of miracles. By taking on human form, God infused His essence directly into humanity, kindling the Divine Spark. His adversaries were those who ( to this day) work to reduce humanity to the level of zomboid slaves. This is where the concept that God so loved mankind that He sent his only begotten Son (Himself) to save us comes from, I think: The devil was having a splendid time in the Roman Empire. Corruption, brutality, war, enslavement threatened to devour the world and God took notice.
The story of Paradise Lost by John Milton was based on the old Celtic myths about the War in Heaven that was caused when the archangel, Lucifer, challenged the worthiness of the God’s creation. He didn’t like the human race much and wanted nothing to do with it. Archangel Michael threw him out of Heaven and that was how he came to try to destroy us ever since. So the story goes…
The Cathedrals are Encrusted with Demons.
Most people in the Middle Ages were illiterate but they understood symbols—-pictures that were worth a thousand words. The cathedrals were referred to as Books in Stone. They were carved over with spiritual lessons: The life of Christ, visions of Heaven and Hell and the hierarchies of the worlds for a few.
The cathedral is the House of God. Often referred as Mother Church, the cathedral was meant to be the body of Mary, Mother of God. The faithful entered the body as sinners and, after receiving the Eucharist, exit reborn in Christ. For Medieval people this ACTUALLY HAPPENED. They really believed in this powerful supernatural event. Clever modern atheists like to point out that the Eucharist is cannibalistic, a vestige of human sacrifice. What they miss is that, to the believer, Christ/ God gave his life to be the LAST human sacrifice. The Resurrection made His flesh divine, no longer human but something higher that when taken into us transferred its power to us to transform our flesh. Just as corn dollies replace human sacrifices to Goddess at Harvest, the wafer and wine stand in for the transmuted flesh and life force of Christ. The emphasis on the Scared Heart links the blood to the circulation of love and forgiveness through energy center of the heart by which we connect to the highest spiritual dimensions.
What the cathedrals teach us is that, not only was God’s purpose to redeem humanity, but the entire Creation including the seventy-two demons of the Goetia.
Medieval cathedrals have an area called the tympanum, the half moon area above the door with a depiction of Christ at the Last Judgment. On His right the good people are escorted to Heaven with the angels and on his left the bad ones undergo horrific tortures by the devils in Hell.
Of course the quickest interpretation of why these devils are here is too scare sinners into obeying the Church. I believe that is the role of Last Judgment Hell, though in this depiction from Autun Cathedral there is a touching image of Christ’s mercy as His hands reach down to lift the damned up form the lower depths.
This same compassion must be extended to the seventy-two demons whether they like it or not. Demons have no free will, they are what they are, but are still part of the Creation. This suggests that in order for full redemption to succeed, even they must be transformed to their divine nature. Even the deepest darkness must be returned to God. Indeed some of these grotesques—-for they are not all gargles or gargoyles—- exhibit a kind of longing for the light of understanding, a kind of confused vulnerability.
I think it is a very beautiful belief that by entering such a place one is transformed form a body of corruption to one of divine fire and that all living things will be brought to that blessed state with you.
Can the Creation be redeemed with any piece of it missing? In Celtic Faery Tradition we learn that even Lucifer himself must be transformed, even he must be brought back to Heaven to sit at the left side of his Father.
Hierarchies of Worlds
“Long is the way
And hard, that out of Hell leads up to Light.”
— John Milton (Paradise Lost)
We can’t leave the Medieval mind set without taking into account the hierarchical view of the Creation. The above and below notions of Heaven and Hell were far more concrete when people believed that the earth was flat. Hell and the demons were under the plate of the earth. earth was like a flying saucer in space and Heaven was above. So we see in the cathedrals: The demonic figure are usually on the bottom and as the building goes higher, the angels and saints go up until, at the very top is often a Crucifix or a cross or a statue of the Virgin Mary.
Demons are in the roof, as in Notre Dame de Paris, I think reveal an awareness by the designers of the many dimensions that surround the Earth, our Paradise Lost. The limitation of stone, and all concrete images, is that they must SHOW things that are abstract by either anthropomorphizing them — as in the case God the Father as a bearded old man—-or must use space in suggestive ways that may not be understandable without an explanation. The explanation for demons being in the upper levels of the cathedrals could be that it was the only way to show that they are all around us in the fourth dimension. That they can see us through the ethers ( the sky) though we may not see them. This does not “elevate” them in status but does depict their power over us, spurring us on to take refuge with Christ—-inside the cathedral —in the body of his Mother, the Church.
As for gargoyles —many of them are not at all demonic, but rather images of peasants and common people –the only characters seen as fit to spew run off from the roofs, the only beings “low” enough to act as gutters. Just doing their jobs…..
Freemasonry and the Demonic Cathedrals
The cathedral builders were the first Masons. What was merely the artisans guild of stone cutters has been transformed in modern times to a sinister secret society said, at the very top levels, to worship Lucifer. That being said, it does not mean that the medieval stone masons were into anything of the kind. Of course their emblems and signs are all over the cathedrals just in the way that even today, real silver is stamped Sterling.
Artists, again not readers of words, would have their signs, symbols that stood for their names. That these were co-opted by modern Freemasons does not mean that Medieval masons were worshiping the Devil. An aversion to the Catholic Church does not mean that it is right to interpret some the of the greatest works of art ever created with diabolical intent. These ideas are dangerous. Three-hundred years of the executions of millions of innocent people to such ideas getting out of hand attests to how dangerous these notions can be.
For me, our current escalation into scientific tyranny is far more frightening than the works of the ancient stone-cutters art.
Post Footer automatically generated by Add Post Footer Plugin for wordpress.