Psychic Development, Magick and the Other Stuff

Psychic Development, Magick and the Other Stuff

A guest post by Nathan.

Victor Vasnetsov - The Magic Carpet

Victor Vasnetsov – The Magic Carpet

I was wondering what kind of article I can write for this website. And then it just hit me – there are so many categories and topics here, so many things Aline is talking about, why not merge them all together?

I begun my adventure with the supernatural in 2005. I am definitely young explorer of the paranormal, but I already know a few things. What was it that I begun with? Psionics – a little bit  of a fluffy and childish approach to psychic development. But I wanted more, so from fluffy websites I moved to reading books, from there to occult practices – different systems, from Tai Chi meditation to Norse Runes, from Shamanism to Chaos Magick. With time, all of this merged into one thing. No longer was I talking about different systems, different practices. The terms became worthless, and even troubling as I was talking with people.

Everyone got their own set of terms. I was unable to communicate with Chaos mages, Wiccans thought I was a vampire, vampires thought I was just an asshole, but most people thought I had no idea what I was talking about – while in reality, they were those who had no idea what the occult really is. Not all of them, of course, I’ve met many people who thought like me.

For me, shamanism, psychic abilities, chaos magick, Norse runes, tarot — all of this is the same thing. They are  the same kinds of occult practices – using our will to use some supernatural energies to shape the universe we live in as we want it, or at least -to perceive the universe using extraordinary means – like divination systems (runes, tarot, i ching) or psychic abilities, different forms of clairvoyance.


Needful Things

It is my belief that people who think that ancient shaman and modern Chaos mage perform different occult arts, those people are simple wrong and there are  a lot more for them to learn. Every single occult practice is based on four elements:

The Place:

Needs to be prepared for the practice. Occult orders usually create whole temples, modern psychic vampyres simple cleanse the place of negative energies, Wiccan creates altars, psychics turned one room into simple meditative space. This creates a place where higher energies are created. And these enrages support the occult art process.

The Energy:

There are so many terms: PSI, Ki, Chi, Prana, Kia, Odic Force, Ethers and many more. But these terms represent the very same energy, the energy that cannot be easily defined, but the energy that is used to shape the universe (telekinesis, law of attraction, different forms of occult spells), and transfer information (telepathy, clairvoyance, precognition, astral projections).

The Goal :

What do you want to achieve? What is your goal? It is something we want, it might be a wish to send a telepathic message to a friend, or attract $10 000 USD within next 24 hours. The goal is what we want to achieve while sitting in specific place, using specific energies, with…

The Will:

The power that shapes the universe and our life. When you have the goal, the will the  I really want this to happen and the power to make it happen.

Those are four primary elements of every occult practice. If you will look closer, you will find all these elements in every magical or psychical system in existence.

odin_2 Odin: Eric Tesol

Choosing Your Occult System

Everyone of us have to choose the system to follow – some people choose Wicca, some Chaos Magick, some becomes psychics, and some mix all the systems there are. As one wise magus said,  “With time each one of us creates his own practical system.”

If the principles are all the same, there is really no difference which system you will choose.

But you need to  feel the system. That is  where some books come to be – for example, I do not really feel good with modern occult systems, but I read some books about Hebrew occultism, and I was always fascinated with Norse mythology. In my practice I often use Hebrew rites, and I am a big fan of runes, I have implemented some rites from Runic Magick in my own practice.

These are the archetypes, and you should read a lot of books in order to find out which archetype speaks to you. Thor is a god of War, but I prefer Thor over Mars from Roman mythology – although these are the same archetypes, I respond better to Thor – therefore, my occult practices gives me better results, only because I perceive Norse archetypes as more powerful and more real. Someone else would say I’m nuts, because the only real spirits are these from The Goetia. But the reality is – we’re still dealing with the same archetypes.

The same thing relates to divination – I prefer Norse Runes over Tarot cards, but I don’t think either of these systems is better than the other one. Some people prefer Tarot because they feel it – I don’t feel the cards, I feel the Runes.


Terminology is the Source

The source of all problems. I do not say we should create ultimate set of terms for all occult practices, it is impossible. But based on this article, you must understand that you need to keep an open mind. Never assume that someone is lying or have no idea what he’s talking about, or he is just wrong. Discuss the case, try to get to the bottom of things. If I say PSI and someone from India will say Prana, I will simplified things in such manner, so the guy will know that what he calls Prana, I call PSI. You get it?

Because at the source, all things are the same – you say tomato, I say tomato. With hundreds of years, different terms and names has been created to represent the same things. Around different terms, different systems of beliefs has been created. But at the very core, it’s all the same – the place, the energy, the goal and the will to shape the universe. This creates magick, this creates the occult philosophy.

People face problems without understanding this – they practice psychic abilities, and they wonder if they should start practicing some magick system, and vice versa. Let me tell you something: As long as the occult system works for you – stick with it. After all, what matters the most, is the result of your practice. Everything else is just the language that is too limited to explain what we really think…

Nathan is AN energy worker and paranormal investigator based in Poland, Europe.

He IS also non-fiction writer, check out his “Psychic Development Guidebook”

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Legacy of the Witchblood and Anne Rice’s Mayfair Witches

Legacy of the Witchblood and Anne Rice’s Mayfair Witches

“Lasher, for the wind that you send that lashes the grasslands, for the wind that lashes the leaves from the trees.”


In her classic first volume of the  Chronicles of the Mayfair Witches, The Witching Hour, Anne Rice bases the witchy status of her characters on their relationship to a discarnate spirit called Lasher. Conjured through the veil in the 17th century by Scottish Merry Begot,  Suzanne of the Mayfair, Lasher’s presence is  heralded by the branches of the trees and bushes lashing the wind.

Suzanne’s unwise choice to dabble in magic got her burned in Donnelaith, but not before Lasher fell in love with Suzanne’s beautiful daughter, Deborah. He gave her a bottomless purse of gold and  a large emerald pendant with his name inscribed on the back to be passed down to all the Mayfair witches. For all his gifts, Lasher’s witches suffer tragic untimely deaths and madness. Deborah was burned at the stake for witchcraft in France.

Symbolism of the Emerald

The emerald is the classic stone of Faery and has many occult associations, not the least being the color of the green earth and the favored eye color of Faery beings.The Holy Grail is associated with the emerald that fell from Lucifer’s crown when he fell to earth after the Battle of the Rebel Angels in Heaven. It signifies the Emerald Tablet of Thrice Great Hermes and the philosophers stone.


In each each succeeding generation of Mayfairs, the spirit, Lasher, would attach himself to a female child gifted with the “sight”, granting her the emerald and a bottomless purse in exchange for the energy he needs to gradually acquire a physical body. Sometimes Lasher is referred to as the Devil—-the traditional King of all witches—- Lucifer.

The Question of Witchblood

Though The Witching Hour is a work of fiction, thought by most people to be a fantasy, Anne Rice got me thinking about my own inheritance of the Witchblood.

*In modern witchcraft, Witchblood is usually thought of as bloodline stemming from ancestors who practiced the Craft. It is a formal initiation that is passed down from parent to child. My abilities did not come to down through a line of practicing witches, at least not consciously.

*In Celtic Faery Tradition, Witchblood can be the result of mediating Faery—-the archetypal Realm of the Ancestors. If done long enough, your ancestors “wake up in your blood”. Since the ancestors  of most, if not all peoples of earth, were  pagans, then any cunning craft or magical abilities  they had will come back to life in the Faery Seer’s blood.

*One thing that Anne Rice suggests is that the mark of a witch is the possession of psychic powers and the ability to see spirits. I agree that those abilities are all of a piece. What is it about these abilities that make one a witch? What is a witch anyway?

I think a witch is someone walks on the earth in a sacred manner and all of nature responds. Especially spirits. Like animals, they know who comes from the heart and who doesn’t. But if a spirit is summoned for selfish purposes—well this a realm where indeed you get what you give.

How Do You See Spirits?

I have been seeing spirits for as long as I can remember. I grew up in the woods and most of the spirits I saw were spirits of those woods. I saw the past life of the land roll out like film reels. I saw ghosts. I never feared these beings, rather I thought they were marvelous and they intrigued me. I never questioned why I could see them, I just did. I also knew by instinct that very few other people had these visions.

In The Mayfair Witches, Lasher reveals his agenda to Rowan Mayfair. She is the thirteenth witch in the family line and thus the one who is strong enough to help him to gain what he wants most profoundly, a human form.


This notion of the witch having the strength to assist a spirit to manifest got me re-thinking about how we see spirits.

The spirits exist independently of us, whether we see them or not. Since our age of gross Materialism, very few people see them any more. Some people call the ability to the view the Unseen, a “gift”, or a special dispensation from God or the Devil depending on your view. Most people who think this don’t have it.

(I think Anne Rice has it…)
I always thought this clairvoyance was just part of a package  with a sensitive, nervous temperament and was kind of enhanced power of  creative imagination.
Then I thought it had to do with innate spirituality. Some us are born seers, people who in ancient cultures would have been members of a priest class.
Karma was another explanation, previous lifetimes of spiritual practice that opened the Third Eye.

These were the ideas I played while reading The Witching Hour..

I also thought it might have been a genetic inheritance from my French, Irish and Iroquois ancestors—–natural mediumistic races  all. I also thought of trance mediums oozing ectoplasm and causing spirits to materialize and bump the table up and down.

Now that might have at the back of Anne Rice’s mind when she was writing her book, among other things.

After reading The Mayfair Witches, I have another idea.

Spiritual Frequency as Materializing Force

Anne Rice suggests that Lasher’s ability to materialize is strengthened as each succeeding Mayfair witch grows stronger. The tide of passed-on experience and Lasher’s interference in the gene pool of the Mayfairs by pairing the most psychic family members to conceive the next child, increases the power of the new witch to bring him through.

What this means to me is that my ability to “see” spirits may not be a “sight” based thing at all. Rather,  I emit the right energetic frequency that allows discarnate spirits to densify in my presence.


When the Tuatha deDanaan came through my house back in 1997-98, they came as holograms —-complete and life-sized  3-dimensional light bodies dressed in the clothing of 12th century France. By that time, I had been working as a full time  energy healer in the long wake of a full blown kundalini awakening in 1989. My frequencies were sky rockets.

This level of frequency can only be attained when one is aligned to the vibration of Divine Love and the Soul of the World. It comes from the heart where no malice can be exist because it is instantly neutralized at that vibrational level. This is why I know the Faeries are not evil.

So—-did I simply lend the necessary vibrations to these Faeries that allowed them to take on material substance?
Would they have been coming through my house even if I couldn’t have seen them?
Or were they attracted to my space because of the frequencies, and knew I would be able to lend them form—and see them?

When they ordered me to start painting the Grail Keepers Tarot, I asked them why they chose me. I had lapsed as far as art was concerned and wasn’t good enough for such a project. They told me I was the only one who could do it, because I could see them and they could see me.

Children and the Sight

That still doesn’t explain how I, or anyone, could help them appear when I was a child.
The time of early childhood is a more likely time for these experiences. Is that because the purity of the child’s heart and thus vibration is so much stronger than an adults? Are many more of us born with the Witchblood than we realize?

Part of the lore of Faery is that they love to materialize. They seek to share with us this creation of life on earth. Anne Rice’s Lasher is a trickster figure, not really evil so much as corrupted by desire and ambition learned from his contact with human beings. This is also an interesting idea. The pure spirit is innocent. Physicality exerts it own influences. In Faery Tradition we say that the Faery being takes on the form we project upon it. We have the ability, in creating the conditions that allow them to materialize, to also influence their natures.

It has been my observation that many people who are raised, even today, in cultures where magic is practiced and the spirits are corrupted, flock into Christian churches for protection. They’ve been burned! The trouble with doing spells for worldly things has to do with all the desires and guilts and unclear emotions that human beings bring to the spirits. If the spirits  screw it up and your magic backfires, it is because that is the energy you were exchanging with them. Love begets love, malice begets malice, and even trickier, lust begets lust and all the Seven Deadlies.

Just like Lasher…

My Faeries were never evil, but then I didn’t expect anything of them except that they show me what they wanted all of us to know.

There was a time, I believe, when many many more people, if not all people could bring spirits through. The advent of the Industrial revolution and its rampant destruction and disregard for the natural world have not only closed our inner eyes, our minds, and darkened our knowledge of our origins on planet earth, but has closed the portals to Faery. I think witchblood flows through all of us. I think it is the life force of the earth. The sad part about losing it is that we are out of harmony and taking everything else with us.


For a really great blog post about The Witching Hour by Anne Rice check out Caroline Tully’s blog Necropolis

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Babalon Diaries: Ninth Gate and the Great Whore

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This is the second in a series of posts about my adventures during 2005, leading up to the performance of Paul Green’s play Babalon. The story is full of cloak and dagger, initiatory strangeness, chaos, and hysteria. It shows what can happen on the Magical path if one is not careful…(as if one has choice…)

Directed by Alison Rockbrand, Babalon was performed on December 16, 2005 at the John Gielgud Theatre at the Royal Academy of Dramatic Arts to a sold out audience of London’s finest occultists and magicians. If you want to listen to it, click Radio QBSaul: Archives: Babalon. I play Marjorie Cameron/Babalon. I am called Angela Murrow because I had to hide my identity.

After putting this post together, I understand what it was about Lucifer, the Gates, and the Whore of Babylon, as shown in the film Ninth Gate, that was so magnetic for me. As a Faery Seer working in Celtic Faery Tradition, I had  deep encounters with the Irish Goddess Brighid in her  Dark Moon aspect, for it mirrors the phase of the moon at my birth.

For eight years, I led bi-monthly Moon Circles at my house with a group of women friends.  Once the Circle was cast we worked with our Animal Familiars and moved into the Otherworld in the manner of a Shamanic Journey. When one moves into the Underworld of Elfhame, encounters with the dark aspect of the Goddess are inevitable. Many people would like spiritual experiences to be bright and sunny and healing all the time. But that cannot be, for everything is cyclical, especially with the Great Goddesses of Nature. If one never experiences the darkness, one cannot spiritually mature. Shock and trauma are needed to shake the character loose of the karmic crud of the past. If the dark side is successfully avoided, the practitioner is not on a spiritual path, but is merely amusing him or herself in a fantasy land that they control.

My attraction to the Nine Gates was resonant with my descents into the Underworld of Faery. But, as was the case when I found out that the Spirits of the Land in London  are totally different, more violent and shocking, than those in Seattle, I also found going through the Nine Gates of the Luciferian Path led to a very different form of the Goddess. Lucifer: the Morning Star, Venus, the Angel of Light ( how those images move through the body in their darkness illuminated by green fire!)  left his exile in the green Underworld Faery Hill to return to red-gold earth of ancient Mesopotamia where he is the Underworld King. He is accompanied by Babalon, Goddess of Love and War, disparaged deity of the ancient Middle East filtered through the Magickal thought processes of Aleister Crowley.

Lucifer by Blake

Lucifer by Blake

Lesson: Do not take lightly the forces of Magic. Pay attention to details if you don’t want surprises. The price of liberation is constant vigilance. Everything is connected.

Lucifer, Faery, & Babalon

Although the experience was overpowering and mind bending, I do not regret my initiation into the Mysteries of Babalon. But the dark side of anything brings, with its endarkenment/ enlightenment, pain, loss, sorrow, even death. There are not many volunteers for that!

The Faery Realm is also “ruled” by the fallen Angel, Lucifer. This Tale of the Nine Gates gives us a glimpse of Luciferian Gnosis at its source. Faery Witchcraft is of the Green Ray of Nature and the Earth. Babalon is of the Red Ray of Blood and Passion. Red and Green are complimentary, or Flashing Colors, on the color wheel. Their juxtaposition charges them both. Their blending results in muddy gray.

Our Lady

Our Lady

The Biblical Source

The “great whore”, of the Biblical book of Revelation is featured in chapters 17 and 18. Many passages define symbolic meanings inherent in the text.

17:4 And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication:
17:6 And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration.
17:9 And here is the mind which hath wisdom. The seven heads are seven mountains, on which the woman sitteth (King James Version; the New International Version Bible uses “hills” instead of “mountains”).
17:10 And there are seven kings: five are fallen, and one is, and the other is not yet come; and when he cometh, he must continue a short space.
17:11 And the beast that was, and is not, even he is the eighth, and is of the seven, and goeth into perdition.
17:12 And the ten horns which thou saw are ten kings, which have received no kingdom as yet; but receive power as kings one hour with the beast.
17:15 And he saith unto me, The waters which thou sawest, where the whore sitteth, are peoples, and multitudes, and nations, and tongues.
17:18 And the woman which thou sawest is that great city, which reigneth over the kings of the earth.

The Film: The Gates

One of my favorite things about the film Ninth Gate is flying through the nine gates to this gorgeous music. It has proven to be a Shamanic journey inducer — if you want to go to the Kingdom of Shadows. Click this and you will go straight to YouTube to watch it.

The Place: The Devil’s Tower, Puivert, France

This is the postcard of the castle Corso found in Baroness Kestler’s Book of the Nine Gates. It also shows up on the wall of Balkan’s library, just over his shoulder when he tells Corso how privedged he is.  An ancient Cathar stronghold during the Albigensian Crusade, this fortress was called the Devil’s Tower in the film.  Corso chases Balkan to this sinister place for the ‘tragic’ climax of the story. And as it burns he is initiated in a scared sexual rite, into the Mysteries of the Goddess as Babalon.

Isn’t it strange, a stronghold of the Gnostic Cather sect who were annihilated for heresy, should become the setting for  Luciferian heresy in Roman Polanski’s film? But Polanski knew what he was doing, for the themes of pre-ordination, resonance, and return run through the film.

The Music: sung by Sumi Jo

This music by Kilar Wojciech has a tremendous trance inducing power. It evokes the mystery of the Underworld; the melody transports consciousness into another realm, dark and fiery, ancient and cosmic.  When you listen you feel as if you had entered through a mysterious door into Magic.

As an aside, Kilar also wrote the soundtrack for Coppola’s Dracula. He is master of musically evoking the shadowy side of the soul.

Luciferian Gnosis



The Goddess first appears to Corso as a young, nameless, blond woman whom he calls Green Eyes.  The green eyes are a clue to her demonic origins, for green is the color of Faery, and is also the color Lucifer. In Celtic Tradition, the Holy Grail was said to be the emerald that fell from Lucifer’s diadem when he plunged to earth after losing the War in Heaven. Alchemists believed that this green emerald was the Philosophers Stone. Another link with Faery is the girl’s use of  her own (angelic) blood to trace the Awen on Corso’s brow, signifying enlightenment.

Though I suppose there some who would see the blood on his forehead as a pitchfork…..

Babalon Returns

She carries a book like the High Priestess in the Tarot, who in older decks, is called The Papess. She waits on the other side of the Abyss and points to the heretics’ Castle of Fire and Light. Her mysteries are sexual but have little to do with procreation. Rather sexual energy, and union with an enlightened partner, is a vehicle that transforms consciousness and builds the Body of Light.

This is Her secret…

Whore of Babylon

Whore of Babylon

Now I know that the Light comes from Darkness.

The Light of the Underworld

The Ninth Gate

The Ninth Gate

To listen to the Radio Show, Babalon, click here:

Babalon: Part One

Babalon: Part Two

For updates on the Babalon Diaries, please subscribe to my RSS Feed or my email list!

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