Psychic: My Life in Two Worlds, by Sylvia Browne; Review

Psychic: My Life in Two Worlds

by Sylvia Browne


Review by Aline deWinter

I have happily lived without a television for over twenty years, nor have I much interest in celebrities and celebrity biographies. Up until a year ago, I had no idea who Sylvia Browne was until someone on Facebook posted a video of her on Montel William’s Show striking out during a psychic reading. There are many of these videos on Youtube suggesting that Sylvia is not all that accurate and may even be a fraud. When I was asked to review her new book, Psychic: My Life in Two Worlds,  I was reluctant to take it on, but as always, I thought I might learn something so agreed to do it.

I was pleasantly surprised. Sylivia does have extraordinary abilities. My own paranormal experiences have given me the insight to know that her many stories are genuine. She has a good sense of humor and lot of wisdom to share. There is also great comfort here for those who have painful questions about the nature of reality and its impact on them.

Sylvia’s  overall philosophy  is summed up in the first paragraph:

“I believe that before we came here from the Other Side to start a new incarnation, we write very detailed charts for out lifetimes to help guarantee that we accomplish the goals that we set for ourselves. We choose our parents, our siblings, our friends, our enemies, our spouses, our children, our careers, our assets, our challenges, our health issues, our best and worst qualities, the best and worst qualities in those who are closest to us, and certainly the timing of it all.

As I look back on this long strange, complicated life I’ve lived, I just have one question about the chart I wrote:

What the hell was I thinking?”


I can ditto that last remark.

Dark Entities

Sylvia begins with a discussion of Dark Entities, a theme that resurfaces throughout the book. Her mother was a terribly abusive person and cast a shadow over Sylvia’s childhood.  There is a truth that says most people are born psychic and most lose their psychic abilities in adolescence. People who grow up in violent and dysfunctional families tend to retain these abilities because of the need to constantly monitor the safety of the environment, to avoid danger. Children of these families also learn to read people quickly—-decipher facial expressions and body language, even temperature in a state of constant hyper-vigilance.

This is a tangent here, but if that is the case. Safe, secure, loving families do not tend to make psychics.  Because of the abilities retained to deal with childhood terrors, most psychics will always feel like outsiders, especially from mainstream society, and will often continue to be attacked by those who have abusive agendas that they try to hide.
We can see how our primal ancestors needed these heightened abilities in order to survive in the wilderness. The rise of walled cities must have rendered those talents obsolete to a degree and our modern way of life, so tragically cut off form nature, has made them seem fantastical, illusory. Out of this reductionist “sticking to facts” comes the tendency of some to want to “stone the witch” by plastering her failures all over the internet while ignoring the huge body of successes she has had. No psychic is 100%. Reading for people is a huge responsibility because everyone who comes to a psychic wants to believe and is often looking for comfort and reassurance. Doing this work on the public stage is very risky business and the damage cannot be undone. On the other hand, it is foolish to throw the baby out with the bathwater. Mistakes have less to do with the validity of psychic ability, and everything to do with the current expectation that psychic;s perform circus tricks on cue.

Thanks to people like Sylvia Browne, we have records of the capabilities of the human mind and spirit, and a track record of someone who has worked magic with millions of people. Whether she is telling the truth or not, I have no idea, but many of her insights are useful.

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Real Life as a Psychic

By being candid about the peaks and valleys in her life, Sylvia  also  strips away a lot of the false glamor that makes psychic abilities seem enviable. Most genuine psychics know the dark side of their “gift”. It is not the  life of an Elf in  “The Lord of the Rings” or a wizard in “Harry Potter”. We are often the target of much more mundane and ignorant forces and are subject to the same societal challenges as everyone else.

I particularly enjoy Sylvia’s many ghost stories and her discussion of their value as an indication of life beyond the physical—-the spiritual life that we experience when we go out of body, as Sylvia has done many times. her discussions of Past Lives was also very interesting. She does hypnotic regressions and tapes every session. She then takes the information, names, dates, places, and often finds out that they are extremely accurate. This is a valuable confirmation that we do indeed move between lifetimes as specific personalities.

Mediumship

Sylvia is a medium, in other words, she communicates with the dead. She is also a trance channel—-allowing herself to be the mouthpiece for her guide Francine, who does psychic readings sometimes in front of large crowds.  Sylvia claims to have inherited this talent from her Grandmother Ada Coil who guided her in her psychic development since her early childhood. Her formal training in Spiritualism is obvious in the formulaic way she works—-grasping for names and initials of names in the way they all do it. This manner of working began with the Fox Sisters in the 1800′s and it possible Sylvia’s grandma Ada also studied these techniques and passed them on to Sylvia. Has her family been psychic for 300 years?

Not all psychics are the same. Sylvia Browne’s way has been to work with external spirits. This fascinates me as I am a completely different type of psychic. Sylvia’s spirit guides have done some amazing things through her. I highly recommend this book as an interesting and honest exploration of a famous psychic’s life, the lessons she has learned, and how she walks between the worlds.

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Hidden Mystery of the Unicorn Tapestries Revealed!

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The Hunt of the Unicorn Tapestries

The Hunt of the Unicorn Tapestries comprise an allegory of the fate of the pure soul in the world. The Unicorn has often been referred to as a Christ figure, but its meaning is much older than Christianity, for the image of a Beast, no matter how mythical, would not be used to symbolize the Son of God unless that God existed at the most primal, pre-conscious level, deep in the Soul of the World. When one meditates on the sequence of images in the Hunt of the Unicorn Tapestries, it looks more like an ancient Fertility Rite enacting the sexual awakening of the World. This has more to do with the Medieval Courts of Love than the Passion of Christ.

The innocence of the Unicorn is signified, not only by its clean, white coat, but by its single, uncloven, horn. One horn suggests unity,  it  cannot be entered, it wards off intrusion. Dual horns, in this context, suggest that that which was whole is now split. The possessor of two horns lives in the world of opposites, of two sexes, and therefore is concerned with procreation. That which is split then seeks reunion through the birth of the third, mirror image of itself, and so the regenerative cycle goes on.

That is why the Unicorn can only be tamed by a virgin, for the Virgin is undefiled, unitary, and protected. The Men of the World cannot open the Unicorn’s body unless he lies in the lap of the Virgin who comes forward voluntarily with an aura of sacrifice. The symbolism of the single fertilizing horn in a Virgin’s lap is clear. In the case of the Unicorn, there is a divine fertilization. Only when the Soul, (the Virgin) is torn away from her union with the Divine, can she be joined with man. Therefore the men, who seek to re-discover lost innocence, and because they are of the World, cannot value purity as inner possession only, and kill the Virgin’s Divine connection so she will be available for them in the world of duality.

This interpretation suggests that there is an alternate allegory to that of the passion of Christ possible here, something to do with the Virgin as World Soul in union with the Divine, and the Unicorn as the mystic seeking return to the source.It is also a Creation myth that shows the Fall into duality without which earthly life would not be possible.

For me, the quest for the Unicorn, and these beautiful tapestries, evoke great Mystery, so they are part of my Mysterious Domain…which is of course, in my imagination…

A Mystery is Sought

The Hunters represent primal man, crude, blind, and driven by base desires without the light of consciousness. They  enter the forest to hunt, but find themselves on the path of a great Mystery that will  instill a sense of belonging to something larger than themselves. Only a powerful encounter with the Otherworld will be shocking enough to awaken them.

They come upon a Unicorn dipping his horn in a fountain.


The  Hunters  break out of the woods and find a garden where all the animals, both hunter and hunted, live in peace and harmony together. It is the Garden of Paradise before the Fall,  before the intrusion of Man.

A beautiful, pure white Unicorn dips his horn into the Waters of Life, both to purify them, and fertilize the Earth with his divine power.

The Waters springing up from the Underworld  let us know we are in the Realm of Faery…

The Unicorn leaps over a stream


The Unicorn sees the Hunters and leaps over the stream that runs from the fountain. In the old traditions, bodies of water, especially rivers and streams, are crossing points between the mortal world and the Otherworld of Faery. It is interesting to note that while the Unicorn was at the fountain, he was safe in Paradise where the Hunters were not able to act against him. By leaping over the stream, is he not, therefore, running toward danger,  straight into the spears and arrows? If that is the case, it would seem his  sacrifice is voluntary, as all true sacrifices must be.
But why?

The Unicorn defends himself

The Unicorn defends himself by attacking the dogs. Is this not a representation of how the most pure, Divine power must seek protection from the defilement of the basest instincts of Man symbolized by the dogs?  In the old fairy stories, animals often stood for the gross sexual appetites, unrefined and undisciplined  by the consciousness of the higher mind. The idea of the tail wagging the dog comes to mind when you think of people who chase after sexual pleasure, or release, irregardless of the consequences.

Rather than defending himself, could the Unicorn be protecting the Virgin? Could he be trying to prevent the primitive Hunters despoiling her with rude weapons and coarse sexuality? For the Unicorn is the Virgin’s lover is he not?

The Ladies know what it means to capture the Unicorn

The Ladies of the Palace know what the mystery is and how it must climax. For they too have been virgins in love with the Unicorn.

A Virgin Tames the Unicorn

This is event is always referred to as the Virgin taming the Unicorn, but it not be seen another way?  It is really an image of the Unicorn laying hos head in the Virgin’s lap. While lying there between her legs, he is killed by the Hunters. Perhaps the Unicorn lays down its life to protect the Virgin from the instinctual, untamed, and unenlightened desires of the Hunters. He is her purity, and her inviolability. Once the unity is cleft, there can be no return to Paradise. Innocence is lost forever.
Interestingly, this piece of the tapestry is damaged and the figure of the virgin torn away. The red gowned  Lady coyly looking on is merely her handmaiden. We see the dog drawing the Unicorn’s blood.

So much for the pure, innocent Soul of the World in our times…

The Hunters slay the Unicorn

The Unicorn is pierced through the heart , both his spiritual heart located below the throat and his physical heart in his breast. The Palace of civilization stands on the other side of a lake. The refined Lords and Ladies stream down from the palace to receive the Hunters who seem changed by their encounter with the Unicorn.They approach the Ladies who appear to instruct them, perhaps on the proper attitude of respect to maintain regarding the Procreative Mysteries.

Indeed, the Lord and Ladies seem to ignore the Unicorn as he is impaled  above them, at the edge of the palace garden.  They seem much more intent on sharing the gifts of civilization with the Hunters. The palace is thus the realm between the higher and lower levels of being.

The Unicorn is restored to life

Often called ‘The Unicorn in Captivity’.
This is an apt title, although it leaves out the impression that the Unicorn has come back to life. Perhaps this is because he never was a mortal creature, but a symbol all along, a representation of innocence and purity too good for the World. Now he is captured, fenced in, and controlled by the forces of civilization that would use him as an example of perfection. Yet he is set apart, no longer part of the whole, rendered, in a sense, useless. He is emptied of the numinous wholeness he once wielded in the lost Paradise. In the  World, duality is all, for without duality, the cloven horn and hoof, the Creation as we know it, would cease to exist.
The Unicorn knows this. That is the nature of his sacrifice. He is at peace.
Go to my Videos for a beautiful Medieval song that goes well with these tapestries
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