I haven’t posted on here for a long time and would have a very long story to tell about that—in fact a whole slew of stories since stories are what have keeping me away! I started this blog as an apprenticeship, to hone my writing skills for fiction. That’s why you will find a first drafts on here and on Gothic Faery Tales, my other blog, amongst the regular blog posts. I also saw this as a place to explore my interests in magic, folklore and history — themes that also deeply inform my fiction. I want to come back to this blog and could think of no batter start than to share the research behind one of my top books.
The Vampire’s Mirror was #1 in Horror and #2 in Gothic Romance on Kindle and got several excellent reviews. But here, on the Winterspells blog, I want to talk about, not the story, but the magic of mirrors.
If you want to check this novella out, go here: http://amzn.to/OE6mmT
The Ancient Dread of Mirrors…
Blame Alice Through the Looking Glass, or perhaps Snow White, but I have, since childhood, been aware of the uncanny nature of mirrors. The mirror sees things in reverse, it may reflect what we cannot see because it is behind us, or above us, or at an odd angle. It may show us the hidden side as when we hold one mirror to our face to look into another mirror at our back. The mirror suggests hidden worlds on the other side of the glass. Mirrors can be used for spying and magician’s tricks, bending our perception of reality.
“Jack in Glass”! How could he not be a Jack being all leftwards and backwards sinsiter? And how could a doppleganger be safe?
Have you ever stared at your refection in a mirror and seen yourself morph into creatures and animals and elves? Transformations abound in the mirror.
Before glass was and silver were combined by the Venetians into clear and wonderful speculums, our ancestors looked into the surface of a lake or a dish of water, a polished stone, or perhaps, as in this tale, a sheet of polished silver, to see what others saw, but they themselves could not see: their own images.
Yet all reflective thinsg were suspect…
Though metal was a superficial thing, all metals were attributed to Gods. The surface of a lake goes deep into another realm, also largely invisble to the human eye, that nevertheless yields up treasures and food. All of these qualities were mysterious and therefoe suspect in ancient times.
I love what Rosemary Ellen Guiley says about the ancient practice of mirror magic in her intriguing article here: http://www.visionaryliving.com/2008/09/17/working-with-mirrors-in-magic-and-psychic-development/
“The power of mirrors – or any reflective surface – to reveal what is hidden has been known since ancient times. Gazing upon shiny surfaces is one of the oldest forms of scrying, a method of divination practiced by the early Egyptians, Arabs, the Magi of Persia, Greeks and Romans. In ancient Greece, the witches of Thessaly reputedly wrote their oracles in human blood upon mirrors. The Thessalian witches are supposed to have taught Pythagoras how to divine by holding a magic mirror up to the moon. Romans who were skilled in mirror reading were called specularii.”
The Vampire’s Mirror
The Vampire’s Mirror plays with the idea that the vampire cannot be seen in the mirror. This is an interesting idea because it suggests that the Vampire has no body to reflect. He also casts no shadow. Yet he is not incorporeal to those he presy upon who not only see the vampire, but feel him and are powerfully effected by him.
Since the vampire is a predator, then the mirror must serve his predation. Therefore it must be, as in Alice Through the Looking Glass, a portal through which he passes into the victims workd and through which the victim may pass into his. The mirror can also be used as a means of enchantment.
In Bram Stoker’s Dracula, the mirror is aligned with Vanity.
Sins of Vanity and Temptation
“Giselle wouldn’t call herself a thief, but like a magpie she was pulled toward bright objects: jewels and bangles, rings and beaded sashes, embroidered reticules and fans. The mere sight of a pair of earrings lying unattended on the dressing table would set her fingers fluttering to enclose them, secretly, in the palm of her hand, to be nonchalantly dropped in the pocket of her apron. Only cleaning up, she’d tell herself. My Lady shouldn’t leave valuable things lying around like that.”—Alyne de Winter The Vampire’s Mirror
Thieving creatures like magpies and crows love bright shiny objects. Something about objects that give off light associates them with the Devil. Perhaps because all the Devil’s works are but counterfiets of God’s Creation.
The Hero of this tale, Stefan, is unable to resist the lure of the vampire’s mirror. His beloved Analise grow enraptured with her own reflection in the glass, but also sees the vampire’s world on the other side. She sees him and he sees her….
Post Footer automatically generated by Add Post Footer Plugin for wordpress.