The Transformation of “Witchcraft”
I came of age in the 1970s. Those were the early days of the feminist movement. I always loved femininity, so the idea of becoming a miniature – (and the was the word they used) man had no appeal foe me. I was always a rebel and wanted to be seen as a realm person, having equality with men, but I did not want to be one. I was also always very drawn to the moon. I was a natural clairvoyant and telepath, and artist and visionary. Of curse back then there was not really any language for those things, especially in traditional New England. I had to come to the west coast to find put that I “wasn’t really from here.” and that I ” shouldn’t try to fit in.”
In the 1980s the Women’s Spirituality Movement emerged. I have since learned that most “movements” are concocted by socila engineers to promote their hidden agendas and that indeed the feminist movement was a CIA psy-op designed to get women into the workplace so they could be taxed. But since I had to deal with this movement, spirituality resonated with me much more that any corporate ambition. I was working class so that was all Greek to me.
The books were pretty good too. The Jungian things, books like Moon Moon by Anne Kent Rush produced in those hand made 1970;s hippy style paperbacks, books like Margaret Murray’s God of the Witches, and especially Dione Fortune’s Sea Priestesss. I had also studied Surrealism in art school and read about the girl friend of one of the famous painters or poets…hmmm. I think Paul Eluard, describing his girlfriend as mysterious, in the garden at night, a witch. These works resonated with me and my natural affinity to nature.
I grew up in nature. My playground was the woods, exploring the woods, discovering wildlife, reading fairy tales, dressing in my mother;s cats off clothes, pretending to be otherworldly among the trees, at the woodland lake, in the meadow with the ancient stone walls. Woman as sibyl, as shamaness, as fairy take witch had a great appeal for me. I was not alone in this. We all grew up much closer to nature than people do now despite their “green movement” which isn’t really green but corporate. The forest was my refuge and my healer, a place of magic.
As a forest person, I’d always been naturally attracted to Druidry. The White Goddess by Robert Graves sealed that resonance for me.
Over the last 20 years a very dark strain has entered in. Via heavy metal music, horror films, books. Satanism has replaced the lovey celebratory nature of the seasonal rituals and “witchcraft” seems to be deteriorating into the evil that our Medieval ancestors feared. Perhaps even then the art of the wise woman, the healer , the shaman, the cunning man deteriorated into evil, just as the pagan religions fell into orgies of human sacrifice and war.
This development has been extremely distressing to me. I do not want to be associated with this darkness. When I played Cameron / Babalon in Babalon in London, I did it as a creative project ( I had been an actress at one time). I had no idea who jack Parsons and Marjorie Cameron people were. Playing the Babalon roletwas fun, but as I hate war, I was disturbed at the Jack Parson’s excitement invoking “Force and Fire, my friend, Force and Fire” as the most desired reality in the Aeon of Horus. I never liked Crowley and still don’t. I am not a destroyer, but a preserver and creator. I feel I’ve spent my life watching everything I love being destroyed.
Now, I feel the old mythopoetic path of witchery is being destroyed. This probably has more to do with why I don’t write to this blog any more than anything else. These ideas work great in fiction, so that is where I will explore these themes. In fiction light and dark can dance without raining bombs on innocent people in sacrifice to some awful un-God. The theme of human sacrifice haunts us all because it is in our ancestral memories, but frankly it is the devil in the psyche that Christ sought to redeem so that it could end forever. The whole thrust of Christianity is to raise consciousness to a high vibrational level, thereby starving the dark lords and escaping their clutches. This is why they hate Christ. I never hated Christ. In fact, before I lived in London, my witchcraft was solidly aligned with the Virgin Mary.
Anyway this is my little rant. I wish for all my readers who are drawn to Malifecium that you see the error of your vision, that is it is a form of demonic brain washing manufactured to bring you down to the lowest common denominator. It backfires. It will not feed you.
The Wicca religion is filled with beauty, but one must always know that the God it celebrates is the Devil. It doesn’t have to be, but it seemd to be going more and more in that direction. This is the Being that is being uploaded into the ethers now. Not a nature God, or joyful, fertilizing spirit, but something evil.
Maxine Sanders even writes about it in the opening to her autobiography, Firechild describing a Druid ritual at Stonehenge in 1968:
“The ceremony went on until the killing of the old king when, after a few moments of dramatic knife waving it became apparent that the play acting was taking a sinister turn. Alex ( Sanders) was suffering sincere but blunt jabs that were trying to penetrate the beautiful, luckily thick, robes he was wearing; there was terror in his eyes and panic in his voice. The normally sedate priests and priestesses were screaming for the lifeblood of the old Oak King, the king of the witches, my husband…. This was witchcraft!”
So it was spelled out even then. I am curious about what you think.
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